BIO

Louise explores the creative application of old media. Her art training is in film and time-based art. She makes moving image art using hand made and hand processed 16mm and super 8 film – video art and films used live in performance. She also uses pinhole photography and cyanotypes. Making images using photography links to Louise’s second training in archives and records. For Louise, film and photography is always a form of recording. 

Louise develops and shares much of her work in collaborations – re-enacting 1970s media art in the artist archivist collaboration Teaching and Learning Cinema and, over the years, collaborations in contemporary experimental music and dance. Recently, she has been working on creative community development in her suburb Kambah.

Louise finalised her PhD with the Centre for Creative and Cultural Research at the University of Canberra in 2021. She went on to teach archives, records and collections in Australian universities. Before her PhD, she spent a decade working in government information and archives in the Australian Government. These engagements flow from her work in media art specialising in obsolete technology. Live arts and archives run parallel in her career. The PhD ‘Tending the archive’ draws together art and archives, exploring how we keep things we can’t digitise effectively. The research used the case study of 1970s expanded cinema, drawing on work from her collaboration with Lucas Ihlein as Teaching and Learning Cinema.

As an archivist, Louise has worked for the Australian Government, setting policy and curating future archives. She held ongoing lecturer roles in collections, archives and records at Charles Sturt University (2020-2023) and Curtin University (2023-2025). As a consultant archivist Louise has conducted significance assessments on several landmark small arts collections. In live art, Louise performs with obsolete media such as 16mm and super 8mm film. She has collaborated with luminaries in Australian contemporary, classical and jazz music, in key venues and festivals in Australia and internationally. Louise’s films are in the collections of the region’s film archives. 

/////

Louise Curham Curriculum Vitae

lcurham@csu.edu.au

EDUCATION

Introduction to Environmental Accounting, non-award certificate course, Fenner School, Australian National University, June 2023

PhD Centre for Creative and Cultural Research, Faculty of Arts and Design, University of Canberra 2021

Graduate Diploma of Science (Information Services) (Archives & Records), Edith Cowan University, 2013

Graduate Certificate in Audio Visual Archiving, Charles Sturt University, 2006

Master of Fine Arts, Time Based Art, College of Fine Arts, University of New South, 2005

Managing Historical Documents certificate, School of History, University of NSW, 2002

Diploma of Visual Arts (Painting), Victoria University, Melbourne (in part), 1999

Bachelor of Arts, VCA School of Film & Television 1993

Media Skills certificate, Waikato Polytech, Hamilton, New Zealand, 1990

ACADEMIC APPOINTMENTS

University of Wollongong, research associate on internal grant ‘Archiving Scenes, development on ASEAN Australia centre grant 2025, ARC LIEF grant 2026

Curtin University, lecturer in the discipline Libraries, Archives, Records and Information Science, teaching archives, records, leading and managing, knowledge organisation and metadata, digital preservation, Feb 2023 to Jul 2025

Charles Sturt University, lecturer in collections, archives, records and digital preservation, Oct 2020 to Feb 2023

University of Canberra, Faculty of Arts and Design, course convenor, Professional Media Projects, Semester 1 2018

University of Canberra, Faculty of Arts and Design, sessional tutor, Editing Sound and Image and Major Creative Projects, Semester 2 2018

PROFESSIONAL APPOINTMENTS/EMPLOYMENT

National Archives of Australia, Commonwealth Information Policy, assistant director, Canberra, 2016­–2019

National Archives of Australia, Government Information Assurance and Policy, Digital Strategy and Solutions, assistant director, Canberra, 2014–2016

National Archives of Australia, Government Information Management, Agency Accountability project officer, Canberra, 2009–2014

dLux Media Arts, Sydney, consulting archivist, preparation of significance assessment under National Library Community Heritage Grant, 2014

Performance Space, Sydney, consulting archivist, preparation of significance assessment under National Library Community Heritage Grant, 2010

Australian National Maritime Museum, records manager, Sydney, 2007–9

National Archives of Australia, Audiovisual Preservation project officer, Sydney, 2002–7

Auscape, natural history photographic library project officer, Sydney, 2000–2

Rehame, broadcast media monitor, Melbourne 1998–2000

Short film director 1996–7

Saatchi & Saatchi Advertising, radio and television commercials producer 1994-6

PUBLICATIONS

Published conference proceedings

Curham, L., Ihlein, L., & Appuswamy, R. (2024). Re-enactment, Users Manuals and DNA Storage: Methods for media art preservation. Proceedings of the International Symposium on Electronic Art. Media Art Archiving Symposium, ISEA. https://airdrive.eventsair.com/eventsairseasiaprod/production-expertevents-public/0fa9f3be394a44dc865dc973d1d8b41c

Curham, L. (2016). Caring for live art that eludes digital preservation. In Proceedings of the 13th International Conference on Digital Preservation (pp. 266–267). Bern, Switzerland: Swiss National Library

Review

Curham, L. (2017). Performing Digital Multiple Perspectives on a Living Archive. Archives and Manuscripts, 45(2), 167-169.

Book chapter

Curham, L & Gamble, R. (2008). ‘Moving Image’ and ‘Sound’. Keeping Archives (3rd ed.), Bettington et al (eds.) Australia: Australian Society of Archivists.

Refereed journal article

Ihlein, L., & Curham, L. (2015). Reaching Through To the Object: re-enacting Malcolm Le Grice’s Horror Film 1. Performance Matters, 1(1-2), 24–40.

SELECTED CONFERENCE ACTIVITY

The Wisdom Travels With the Object, Archives in the Digital Age symposium for the launch of the Kaldor Digital Archives, Art Gallery of NSW, Nov 2019.

Having Opinions in Digital Preservation. Australasia Preserves digital preservation community of practice on-line meeting, May 2019.

Tending the archive: ritual as preservation; enfolding preservation into use; and preservation as a community enabler through the case study of ‘(Wo)Man With Mirror’, a re-enactment of a 1970s artwork. Shock of the New, Australasian Institute for the Conservation of Cultural Materials joint SIG symposium, Melbourne. Feb, 2017.

When the record performs. Australian Society of Archivists’ annual conference, Melbourne. Sep, 2017.

Observing the re-enactment. Scenes of the Real symposium, Department of Performance Studies, University of Sydney. July, 2016.

Tending the Archive. Australasian Association for the Digital Humanities conference, Hobart. June, 2016.

Re-enacting Expanded Cinema ‘Wo(Man) With Mirror’, presentation at Museum Futuresconference, Institute of Education, University College London, May 2013.

Re-Enacting Expanded Cinema: Three case studies, authors Louise Curham and Lucas Ihlein, at Re:live 09, Third International Conference on the Histories of Media Art, Science and Technology Melbourne 26-29 November 2009.

History Made Flesh – Re-enacting Expanded Cinema, authors Louise Curham and Lucas Ihlein, poster at the Association of Moving Image Archivists Conference, USA, 2004.

2016 University of Canberra Pitch for Funds winner

2015-17 Australian Postgraduate Award

2015 Australia Day Award National Archives of Australia for Check-up Digital

2013 Margaret Jennings Award, Australian Society of Archivists

SELECTED ARCHIVES COMMUNITY ENGAGEMENTS

Performance Space archives, Sydney, pro bono involvement 2008-2013

Lu Rees Archives of Australian Children’s Literature foundation sub committee 2012-2014